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Bard Human Rights Program

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Carlos Motta Named 2025-26 Keith Haring Chair in Art and Activism

The Center for Curatorial Studies (CCS Bard) and Bard College’s Human Rights Project are pleased to announce that multidisciplinary artist and professor Carlos Motta will hold the Keith Haring Chair in Art and Activism for 2025-26. Established in 2014, the initiative supports an annual faculty position bringing leading scholars, activists, and artists to teach and conduct research within the CCS Bard graduate program and the undergraduate Human Rights Program.

Carlos Motta Named 2025-26 Keith Haring Chair in Art and Activism

The Center for Curatorial Studies (CCS Bard) and Bard College’s Human Rights Project are pleased to announce that multidisciplinary artist and professor Carlos Motta will hold the Keith Haring Chair in Art and Activism for 2025-26. Established in 2014, the initiative supports an annual faculty position bringing leading scholars, activists, and artists to teach and conduct research within the CCS Bard graduate program and the undergraduate Human Rights Program. The endowed position represents Bard College and the Keith Haring Foundation’s longstanding commitment to advancing scholarship and creative practices at the intersection of art and social justice.

Born in Colombia and based in New York, Motta’s art practice documents the social conditions and political struggles of sexual, gender, and ethnic minority communities. A chronicler of untold narratives, he explores the experiences of post-colonial subjects and societies through a range of media, including video, installation, sculpture, drawing, web-based projects, performance, and symposia.

“Carlos Motta’s decades-long practice foregrounds art as a site of resistance and repair, expanding Keith Haring’s legacy of social engagement into the urgencies of the present. Through projects that bring together queer, trans, and decolonial perspectives across the Americas, Motta has consistently challenged the boundaries between artistic practice, research, and activism,” said Mariano López Seoane, Director of the Graduate Program and ISLAA Fellow in Latin American Art at the Center for Curatorial Studies, Bard College. “His work invites critical reflection on visibility, power, and collective memory—values that deeply resonate with CCS Bard’s mission and the spirit of the Keith Haring Chair initiative." 

“We are proud to have an artist and activist of Carlos Motta’s stature and commitments teaching with us this coming year,” said Thomas Keenan, Director of Bard’s Human Rights Project. “His focus on the rights and claims of under-represented communities, and his insistence on making their voices heard, is more important – and more creative – now than ever.”

The announcement of the 2025-26 Keith Haring Chair in Art and Activism follows CCS Bard’s recent opening of a new 12,000-square-foot addition to its library and archives—the Keith Haring Wing, named in recognition of a lead $3 million gift from the Keith Haring Foundation. The expansion further builds on a longstanding partnership between CCS Bard and the Foundation, which also endowed the Keith Haring Chair in Art and Activism in 2022. More information on the new Keith Haring Wing is available at the link.

About Carlos Motta
Carlos Motta (b. 1978) is a multidisciplinary artist whose work explores sexuality, gender, and power through historical research and collaborative practice. In 2024, Motta presented Gravidade (Gravity) at Galeria Vermelho, São Paulo, and participated in Disobedience Archive, a project by Marco Scotini at La Biennale di Venezia, curated by Adriano Pedrosa. His mid-career survey Carlos Motta: Pleas of Resistance was presented at the Museu d’Art Contemporani de Barcelona (MACBA) in 2025 and will travel to OK Center for Contemporary Art, Linz in 2026.

Past solo exhibitions include career surveys at the Museo de Arte Moderno de Bogotá (MAMBO) (2023); The Wexner Center for the Arts, Columbus (2022); Museo de Arte Moderno de Medellín (MAMM) (2017); and Röda Sten Konsthall, Gothenburg (2015). His work has been featured in major international exhibitions, including Scientia Sexualis, Pacific Standard Time (PST), Institute of Contemporary Art (ICA), Los Angeles (2024); Signals: How Video Transformed the World, Museum of Modern Art (MoMA) (2023); Is it morning for you yet?, 58th Carnegie International (2022); ); The Crack Begins Within, 11th Berlin Biennale for Contemporary Art (2020); Home is a Foreign Place, Metropolitan Museum of Art, New York (2019); Incerteza Viva, 32nd Bienal de São Paulo (2016); and Le spectacle du quotidien, X Lyon Biennale (2010), among others.

Motta has been recognized with numerous prizes and awards, including the Artist Impact Initiative x Creative Time R&D Fellowship (2023); grants from the Penn Mellon Just Futures Initiative (2023), the Rockefeller Brothers Fund (2019); and a Guggenheim Fellowship (2008). His work is held in the permanent collections of The Metropolitan Museum of Art, The Museum of Modern Art, and Guggenheim Museum, New York; San Francisco Museum of Modern Art; Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Pompidou, Paris; Museo de Arte del Banco de la República, Bogotá; among others.

Motta is Associate Professor of Interdisciplinary Practice in the Fine Arts Department at Pratt Institute.

Post Date: 11-12-2025

Kenneth Stern ’75, Director of the Bard Center for the Study of Hate, Spoke About Anti-Semitism, Free Speech, and American Universities on College Matters

In a conversation with Jack Stripling on College Matters, a podcast produced by the Chronicle of Higher Education, Director of the Bard Center for the Study of Hate Kenneth Stern ’75 discussed what he saw as the “weaponization of the definition” of anti-Semitism that he helped to create. “I’m not ever saying don't combat speech or contest speech that you don’t like,” Stern said, “but I’m saying don’t use instruments of the state to suppress what teachers can teach and what students can hear.”

Kenneth Stern ’75, Director of the Bard Center for the Study of Hate, Spoke About Anti-Semitism, Free Speech, and American Universities on College Matters

In a conversation with Jack Stripling on College Matters, a podcast produced by the Chronicle of Higher Education, Director of the Bard Center for the Study of Hate Kenneth Stern ’75 discussed what he saw as the “weaponization of the definition” of anti-Semitism that he helped to create. “I’m not ever saying don't combat speech or contest speech that you don’t like,” Stern said, “but I’m saying don’t use instruments of the state to suppress what teachers can teach and what students can hear.” College, ideally, should be a place where you go “to spend the rest of your life recalibrating how you think about things,” Stern said. “We want to make you critical thinkers. We want to encourage you to try on ideas.” Policing, through university policy, what can and can’t be said diminishes this essential capacity of higher education, Stern argued. “I want to create the environment on a campus in particular where people can have productive discussions.”

The Bard Center for the Study of Hate (BCSH) works to increase the serious study of human hatred, and ways to combat it. The Center supports faculty and students throughout the Bard network who want to study and/or combat hatred and its various manifestations. BCSH brings scholars from diverse disciplines to Bard College and all of its campuses to speak about the human capacity to hate and demonize others. The Bard Center for the Study of Hate was established in 2018 with a generous endowment from the Justus & Karin Rosenberg Foundation and is a program of Bard’s Human Rights Project.
Listen now

Post Date: 10-28-2025

Professor Helen Epstein’s Book Why Live Reviewed in the Wall Street Journal

A new book by Helen Epstein, visiting professor of human rights and global public health at Bard College, has been reviewed in the Wall Street Journal. The book, Why Live: How Suicide Becomes an Epidemic, delves into the reasons why people consider suicide, and “highlights a number of case studies that imply a connection between high rates of suicide and rapid societal changes that disrupt old ways of life,” the Wall Street Journal writes. 

Professor Helen Epstein’s Book Why Live Reviewed in the Wall Street Journal

A new book by Helen Epstein, visiting professor of human rights and global public health at Bard College, has been reviewed in the Wall Street Journal. The book, Why Live: How Suicide Becomes an Epidemic, which Esptein wrote after learning that a family friend had taken their own life, delves into the reasons why people consider suicide and the ways that desire might be mitigated on both a personal and communal level. Epstein examines how, across cultures around the world, suicides sometimes occur in clusters that resemble an epidemic, and “highlights a number of case studies that imply a connection between high rates of suicide and rapid societal changes that disrupt old ways of life,” the Wall Street Journal writes. 

The Human Rights Program at Bard is a transdisciplinary program involving such diverse fields as literature, political studies, history, anthropology, economics, film and media, and art history. It emphasizes integrative historical and conceptual investigations, and offers a rigorous background that can inform meaningful practical engagements. The program seeks to orient students in the intellectual tradition of human rights and provide them the resources with which to appreciate and criticize its contemporary status.
 
Read the full review in the Wall Street Journal

Post Date: 09-30-2025

Human Rights Events

  • 11/20
    Thursday

    Thursday, November 20, 2025
    A talk by Nabil Ahmed, co-director, INTRPRT
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium 5:00 pm EST/GMT-5
    Join us to celebrate the launch of An Image of Colonial Violence Pulled from the Air, a new digital publication documenting ten years of research and advocacy from the forensic investigation agency INTERPRT, based out of Trondheim, Norway.  INTERPRT in concerned with the unique evidentiary challenges of representing environmental destruction, and produces evidence for legal actions, including briefings and petitions to the International Criminal Court. They often work with (and on) legal terms that situate the crime of ecocide and the standing of the environment within international criminal law and political theory. Nabil Ahmed is on the faculty of architecture and design at the Norwegian University of Science and Technology (NTNU). With Olga Lucko, he leads the research agency INTERPRT, which utilizes architectural research, 3D reconstructions, remote sensing and publicly available datasets to investigate environmental destruction and human rights violations. INTERPRT undertakes long-term investigations on behalf of diverse groups, and pursues self-initiated research projects for which they produce advocacy videos, interactive maps and evidence files. INTERPRT collaborates with Climate Counsel, an initiative of former UN lawyers to address the climate emergency, and is a member of Investigative Commons, an initiative ofForensic Architecture. They support the global campaign to make ecocide a fifth international crime.

    5:00 pm EST/GMT-5 Reem-Kayden Center Laszlo Z. Bito '60 Auditorium

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2024

Tuesday, December 3, 2024
  Olin Humanities, Room 102  7:15 pm – 9:15 pm EST/GMT-5
Set against the backdrop of the worst European migrant crisis since WWII, It Will Be Chaos unfolds between Italy and the Balkan corridor. Five years in the making, the film features two refugee stories of human strength while capturing in real time the escalating tension between newcomers and locals. The cinema vérité documentary intertwines the harrowing journey of Aregai, an Eritrean shipwreck survivor fleeing his country’s dictatorship, with the story of Wael, embarking on a life-threatening trip to bring his Syrian wife and four kids to safety in Germany.

Followed by a Q&A with the filmmakers and Franco Baldasso (Italian) and Ziad Dalal (MES).


Thursday, November 7, 2024
A talk from Sandipto Dasgupta, Assistant Professor of Politics at the New School for Social Research
Olin Humanities, Room 102  5:00 pm – 6:30 pm EST/GMT-5
Sandipto Dasgupta is Assistant Professor of Politics at the New School for Social Research. For the academic year 2024-25, he is a member of the Institute for Advanced Study at Princeton in Social Sciences and Historical Studies. He is the author of Legalizing the Revolution: India and the Constitution of the Postcolony, which reconstructs the institutionalization of nascent postcolonial futures through a historical study of the Indian constitution making experience. 
 Sponsored by 
Dean of the College, Division of Social Studies, Asian Studies, Global and International Studies Program, Human Rights Project, Politics, Middle Eastern Studies, and Union College Political Science Department, and Dean of Academic Department and Programs

Hudson Valley Political Theory Workshop is a new collaborative project organized by Bard College and Union College. The workshop aims to bring together political theorists  working in the Hudson Valley Region in a series of workshops to share their work in progress, create new networks, and open up possibilities for new collaborative research projects that further advance humanities.

Thursday, May 2, 2024
  Bertelsmann Campus Center, Weis Cinema  1:30 pm – 3:00 pm EDT/GMT-4
This panel on the terms "Anti-Semitism" and "Anti-Palestinian Racism" is part of the Spring 2024 common course Keywords for Our Times: Understanding Israel/Palestine and will be open to the Bard College community as a whole. The course critically explores the ongoing conflict in Israel/Palestine with a focus on contemporary Gaza, and the vocabularies we use to understand it. The course brings scholars from a range of disciplines together to help students understand the histories of and contestations around important concepts and ideas that define our contemporary moment, and to stimulate informed dialogue within our community. Participating in the panel on the terms "Anti-Semitism" and "Anti-Palestinian Racism" will be Ken Stern of Bard College and Radhika Sainath of Palestine Legal.

Kenneth S. Stern is the director of the Bard Center for the Study of Hate. He is an award-winning author and attorney, and was most recently executive director of the Justus & Karin Rosenberg Foundation. Before that he was director of the division on antisemitism and extremism at the American Jewish Committee, where he worked for 25 years. Stern is the author of numerous op-eds and book reviews, appearing in the New York Times, the Washington Post, USA Today, the Forward, the Jewish Telegraphic Agency, and elsewhere. He most recently published The Conflict Over the Conflict: The Israel/Palestine Campus Debate (New Jewish Press, 2020), and previously published Loud Hawk: The United States vs. The American Indian Movement. Mr. Stern graduated from Bard College in 1975.

Radhika Sainath is a senior staff attorney at Palestine Legal, where she oversees the organization’s casework on free speech, censorship, and academic freedom. Prior to joining Palestine Legal, Radhika represented clients in individual and class action civil and constitutional rights cases involving discrimination, human rights abuses, and prison conditions at one of California’s most prestigious civil rights firms. Radhika has successfully litigated numerous state and federal class actions and other federal civil rights cases. Her writing has appeared in The Nation, Jacobin, and Literary Hub. Radhika is a graduate of the University of California, Berkeley, School of Law and the University of California, San Diego. She is based in Palestine Legal’s New York City office and is admitted to the California and New York state bars.

This event is cosponsored by the Politics Program, the Middle Eastern Studies Program, the Global and International Studies Program, the Human Rights Program, and the Center for Human Rights and the Arts.


Friday, April 26, 2024
Bertelsmann Campus Center, Weis Cinema  10:00 am – 7:00 pm EDT/GMT-4
With the recent upsurge in migration at the southern border, the United States may be witnessing the most significant challenge to migrant rights, including the right to asylum, and to the protection of workers in decades. The goal of this conference is to make space for a sober assessment of our present moment by shedding light on the acute and systemic challenges to our current immigration system, their relevant economic dimensions, and by highlighting the role of organizations working to protect the rights of all immigrants in these challenging times.

PROGRAM

10–11 am Coffee, sign-in, and tour of student research projects (Bertelsmann Campus Center lobby)

11:00 am – 12:30 pm Panel 1: How communities respond to the needs of newly arrived migrants

Laura Garcia, New York Immigration Coalition - Strengthening immigrant rights in the Hudson Valley
Valerie Carlisle, Grannies Respond/Reunite Migrant Families - Volunteer response and mobilization
Karin Anderson Ponzer, Legal Director, Neighbors Link - Community law practice on legal services for newly arrived migrants

An estimated 180,000 migrants have arrived in NYC and across the state since the spring of 2022, and state and local governments, community organizations, and volunteer groups have mobilized to meet their immediate needs. The panelists will reflect on the direct-response work they are engaged in, how they understand community needs to be evolving, how they navigate (mis)information flows and common frustrations, and talk about their strategies for marshaling community resources to help sustain their work amidst a public climate where immigration has become a flashpoint of political debate.

1:30–3:30 pm Panel 2: Are we in an asylum crisis?

Alex Aleinikoff, Dean and University Professor, New School for Social Research, former Deputy High Commissioner, UNHCR
Shannon Lederer, Director of Immigration Policy, AFL-CIO
Lenni Benson, Distinguished Chair in Immigration and Human Rights Law, New York Law School; Founder, Safe Passage Project

The upsurge at the border has focused attention on asylum, the right to remain for those who have a well-founded fear of persecution. With fewer alternatives available, asylum has become an option of first resort for legal advocates and migrants seeking protection and the opportunity to work after fleeing their countries. The number of applicants in the system has grown exponentially over the past decade and the processing times of nearly five years are increasingly theoretical. No one disputes that asylum is ill-suited to addressing the vast and diverse flow of immigrants arriving at a time of massive labor demand. There are increasing fears—or hopes, depending on the political position—that the current situation will spell the end of asylum as we know it. The participants in this panel have decades of experience in immigration law and policy, and they will explore the place of asylum in understanding and addressing the current situation as well as what has been overlooked or obscured by that focus.

4:00 pm: Screening of Borderland | The Line Within (109 mins.)

Followed by a panel discussion featuring filmmakers Pamela Yates, Paco de Onis, activist Kaxh Mura’l, and Joe Nevins, Dept. of Geography, Vassar College.

Borderland | The Line Within exposes the profitable business of immigration and its human cost while weaving together the stories of immigrant heroines and heroes resisting and showing a way forward. 

All events are free and open to the public. Please RSVP here.

This program is supported by the Consortium on Forced Migration, Displacement, and Education

About the Consortium on Forced Migration, Displacement, and Education: In early 2016, Vassar, Bard, Bennington, and Sarah Lawrence colleges founded the Consortium on Forced Migration, Displacement, and Education to explore what role institutions such as ours could play in addressing this development. Since then, the New School has joined our Consortium and we have partnered with the Council for European Studies. We are grateful to the Andrew W. Mellon Foundation for their generous support of our goals.


Tuesday, April 9, 2024
  Olin Auditorium  1:30 pm – 3:00 pm EDT/GMT-4
This lecture on the term “Genocide” is part of the Spring 2024 common course Keywords for Our Times: Understanding Israel/Palestine and will be open to the Bard College community as a whole. The course critically explores the ongoing conflict in Israel/Palestine with a focus on contemporary Gaza, and the vocabularies we use to understand it. The course brings scholars from a range of disciplines together to help students understand the histories of and contestations around important concepts and ideas that define our contemporary moment, and to stimulate informed dialogue within our community. Presenting the lecture on the term "genocide" to the course and the wider campus community will be Omer Bartov, the Samuel Pisar Professor of Holocaust and Genocide Studies at Brown University.

Omer Bartov's early research concerned the crimes of the German Wehrmacht, the links between total war and genocide, and representation of antisemitism in twentieth-century cinema. More recently, he has focused on interethnic relations and violence in Eastern Europe, population displacement in Europe and Palestine, and the first generation of Jews and Palestinians in Israel. His books include Anatomy of a Genocide: The Life and Death of a Town Called Buczacz (2018), Tales from the Borderlands: Making and Unmaking the Galician Past (2022), and Genocide, The Holocaust and Israel-Palestine: First-Person History in Times of Crisis (2023). Bartov is currently writing a book tentatively titled The Broken Promise: A Personal-Political History of Israel and Palestine. His novel, The Butterfly and the Axe, was published this year in the United States and Israel.

This event is cosponsored by the Politics Program, the Middle Eastern Studies Program, the Global and International Studies Program, the Human Rights Program, and the Center for Human Rights and the Arts.


Tuesday, March 5, 2024
Arie M. Dubnov, George Washington University
Hegeman 106  4:00 pm EST/GMT-5
Three pivotal terms— "refugee," "return," and "repatriation" — played an exceptionally significant role in shaping international planning and discourse after World War II.  Exploring the interconnections of international history and the history of political and religious concepts, the talk examines how these terms acquired distinct meanings within the framework of international policies and how they echo to this day in the context of the ongoing Israel-Palestine conflict.  

Arie M. Dubnov is the Max Ticktin Chair of Israel Studies. Trained in Israel and the U.S., he is a historian of twentieth century Jewish and Israeli history, with emphasis on the history of political thought, the study of nationalism, decolonization and partition politics, and with a subsidiary interest in the history of Israeli popular culture. Prior to his arrival at GW, Dubnov taught at Stanford University and the University of Haifa. He was a G.L. Mosse Fellow at the University of Wisconsin-Madison, a participant in the National History Center’s International Decolonization Seminar, and recipient of the Dorset Fellowship at the Oxford Centre for Hebrew and Jewish Studies and a was Visiting Scholar at Wolfson College, Oxford.