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Human Rights Program

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Ian Buruma’s New Book <em>Stay Alive</em> Reviewed in the <em>Forward</em>

Ian Buruma’s New Book Stay Alive Reviewed in the Forward

Julia M. Klein writes that Buruma’s work is “at once panoramic and intimate, dispassionate and deeply moving.”

Ian Buruma’s New Book Stay Alive Reviewed in the Forward

Ian Buruma’s New Book <em>Stay Alive</em> Reviewed in the <em>Forward</em>
Ian Buruma. Photo by Pete Mauney ’93 MFA ’00
Paul W. Williams Professor of Human Rights and Journalism Ian Buruma’s new book Stay Alive: Berlin, 1939-1945 was reviewed in the Forward. Named after a greeting Berliners used during Allied bombing, it follows how individual Germans’ lives changed at the end of World War II. Stay Alive was inspired in part by Buruma’s father, a forced laborer whose letters to his parents are included in the book. It “traces the disintegration of the city, from a thriving cultural redoubt to a battered hellscape, and the responses of its resilient but ultimately despairing residents,” Julia M. Klein writes, emphasizing that Buruma’s work is “at once panoramic and intimate, dispassionate and deeply moving.”

The Human Rights Program at Bard is a transdisciplinary program involving such diverse fields as literature, political studies, history, anthropology, economics, film and media, and art history. It emphasizes integrative historical and conceptual investigations, and offers a rigorous background that can inform meaningful practical engagements. The program seeks to orient students in the intellectual tradition of human rights and provide them the resources with which to appreciate and criticize its contemporary status.
Read the Review

Post Date: 03-24-2026
a man in jeans and a black sweater with button down white shirt sits on a tall set of stairs

Bard College and PEN America Announce the Launch of the Central America Independent Media Archive

CAIMA was built in partnership with the Russian Independent Media Archive (RIMA) team, and is the latest project under the umbrella of Kronika.

Bard College and PEN America Announce the Launch of the Central America Independent Media Archive

a man in jeans and a black sweater with button down white shirt sits on a tall set of stairs
Ramón Zamora. Photo by Bernardo Díaz 
Bard College, together with PEN America, is pleased to announce the launch of Central America Independent Media Archive (CAIMA), an initiative to safeguard and preserve independent journalism in Central America through a digital archive accessible to the public. CAIMA was built in partnership with the Russian Independent Media Archive (RIMA) team, and is the latest project under the umbrella of  Kronika, a joint civic tech project of Bard College and PEN America which builds tools to protect endangered media against state censorship. Both media archives aim to provide journalists, researchers, and historians with secure access to uncensored primary sources from media silenced by authoritarian regimes.

Founded in response to the escalating criminalization and persecution of journalism in Central America, CAIMA’s mission is to empower journalists, researchers, and civil society actors to deepen investigative work across the region. The collection currently preserves archival publications from 12 media outlets, including the complete editorial history of elPeriódico, a Guatemalan publication internationally recognized for its decades of investigative reporting on corruption and abuse of power.

In 2022, elPeriódico’s founder and director, José Rubén Zamora, was arbitrarily detained after the newspaper published 144 consecutive weeks of investigative reporting on corruption during the administration of former Guatemalan president Alejandro Giammattei. Following his arrest, the newsroom faced political, legal, and financial pressure, forcing nine journalists into exile. In May 2023, the publication was forced to shut down, cutting off public access to decades of investigative journalism. To protect their father’s legacy and the work of the newsroom, Zamora’s sons, Ramón and José Carlos, secured a complete digital copy of elPeriódico’s archive, an effort that laid the groundwork for CAIMA.

“Our goal is to preserve the first draft of Central America’s history and ensure that the work of courageous journalists is never erased,” said CAIMA coordinator Ramón Zamora. “CAIMA is both a shield against censorship and a tool for journalists and researchers committed to exposing corruption and understanding how power operates across borders.”

The archive is designed to grow by continuously incorporating collections from other independent media organizations across Central America that face censorship, shutdowns, or forced exile. In a region where authoritarian practices increasingly restrict access to information, CAIMA strengthens journalism’s ability to hold power accountable and supports deeper, evidence-based regional analysis. To access CAIMA, please visit elarchivo.media/en


Post Date: 03-23-2026
a woman looks out from a surrounding black backdrop

Bard Alumna Sonita Alizadeh ’23 Profiled in Forbes

“Today, Sonita’s message is simple but profound: never underestimate the power of your voice.”

Bard Alumna Sonita Alizadeh ’23 Profiled in Forbes

a woman looks out from a surrounding black backdrop
Sonita Alizadeh ’23, Bard College alumna and human rights activist. 
Bard alumna Sonita Alizadeh ’23, a Rhodes Scholar and human rights activist, was profiled in Forbes magazine. Born under Taliban rule, Alizadeh faced the threat of child marriage at the ages of 10 and 16 before finding her voice through music. She has since performed on global stages and collaborated with artists and organizations that share her mission, and she has also addressed world leaders and worked with NGOs such as the UN, Human Rights Watch, and Amnesty International to push for change. “Today, Sonita’s message is simple but profound: never underestimate the power of your voice,” writes Mandeep Rai for Forbes. “Dreams, she insists, are the ultimate weapon. Her journey is more than a story—it is a committed call to action, urging women to support one another and the world to take responsibility for girls in Iran, Afghanistan, and beyond.”
 
Read the Full Profile in Forbes

Post Date: 03-17-2026
M. Gessen Spoke with WMCU’s <em>Here and Now</em> About Kronika, Joint Civic Tech Project of Bard College and PEN America

M. Gessen Spoke with WMCU’s Here and Now About Kronika, Joint Civic Tech Project of Bard College and PEN America

Gessen outlined how Kronika has gone from being an archive to a set of tools in response to worldwide threats to free speech.

M. Gessen Spoke with WMCU’s Here and Now About Kronika, Joint Civic Tech Project of Bard College and PEN America

M. Gessen Spoke with WMCU’s <em>Here and Now</em> About Kronika, Joint Civic Tech Project of Bard College and PEN America
M. Gessen.
“At this point, it might be easier to answer the question, ‘Where isn’t history being erased?’” said M. Gessen, distinguished visiting writer at Bard College. In an interview with WMCU’s Here and Now, Gessen outlined how Kronika, a joint civic tech project of Bard College and PEN America, has gone from being an archive to a set of tools in response to worldwide threats to free speech. “We had to turn Kronika into a toolkit,” Gessen said. “At this point, we no longer think of it as an archive. We think of it as a set of instruments that people can use to preserve media in any language.” Born out of the Russian Independent Media Archive, Kronika has positioned itself as a worldwide utility with the goal of helping to preserve the work of journalists and writers. In the interview, Gessen pushed back on the idea that the internet is forever, saying that, ultimately, keeping something online costs money, especially in the face of government censorship. “We learn a lot about a regime when we see what information it wants deleted,” they said.
Listen to the full interview on WMCU

Post Date: 02-16-2026
Upcoming Events
  • 4/16
    Thursday
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard ’26: April 4- May 24.; Everything That Happens Will Happen Today: 2026 Graduate Student Curated Exhibitions

    Everything That Happens Will Happen Today: 2026 Graduate Student Curated Exhibitions

    Saturday, April 4, 2026 – Sunday, May 24, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Everything That Happens Will Happen Today collects curatorial projects organized by the Class of 2026 at the Center for Curatorial Studies, Bard College, in fulfillment of their MA in Curatorial Studies. From solo exhibitions that revisit and reinvigorate historical legacies to group shows that foreground contemporary practices, the projects span diverse disciplines, time periods, and materials.

    More exhibition information here. Not open Monday or Tuesday.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]

  • 4/16
    Thursday
    5:00 pm – 6:10 pm EDT/GMT-4
    Tamara Aupaumut&nbsp;

    Tamara Aupaumut 

    Thursday, April 16, 2026
    5:00 pm – 6:10 pm EDT/GMT-4
    Reem-Kayden Center Laszlo Z. Bito '60 Auditorium

    A presentation about the curation process around her exhibition, People of the Waters That Are Never Still: A Celebration of Mohican Art and Culture, and the connection with Aupaumut's artwork.

    Tamara Aupaumut is a self-taught multidisciplinary artist and independent curator living on Mni Sota Makoce, also known as Minneapolis, Minnesota. She descends from the Stockbridge-Munsee Band of Mohican Indians, the Oneida Nation, and is Pequot, Nehantic, and Montaukett through the Brothertown Indian Nation.
    Her main focus is as a painter and sculptor, working in oil, acrylic, gouache, mixed media, printmaking, photography, papier-mâché, and fiber, as well as traditional Native disciplines of beadwork, porcupine quillwork, and birchbark.
    Aupaumut’s artwork has been exhibited at All My Relations Arts and the American Swedish Institute in Minneapolis, regionally in the Midwest at the Watermark Art Center and Plains Art Museum, and in New York at the Albany Institute of History and Art and the Frances Lehman Loeb Art Center.

    Contact: Sophia Gaffney
    E-mail: [email protected]

  • 4/16
    Thursday
    6:00 pm EDT/GMT-4
    Black Poetry in Times of Crisis

    Black Poetry in Times of Crisis

    A Reading and Conversation with Kevin Young and Evie Shockley

    Thursday, April 16, 2026
    6:00 pm EDT/GMT-4
    Stevenson Library
    On Thursday, April 16th, at 6pm in the Stevenson Library, poets Kevin Young and Evie Shockley will come together for a reading and conversation on writing and poetry in times of crisis. This event will launch the Black Poetry Day Collection in the Stevenson Library. All are welcome to attend.

    Poet and literary scholar Evie Shockley thinks, creates and writes with her eye on a Black feminist horizon. Her books of poetry include suddenly we, semiautomatic and the new black. Her work has twice garnered the Hurston/Wright Legacy Award, been named a finalist for the Pulitzer Prize and appeared internationally. Her honors include the Poetry Society of America’s Shelley Memorial Award, the Lannan Literary Award for Poetry, the Holmes National Poetry Prize and the Stephen Henderson Award. Her joys include participating in poetry communities such as Cave Canem and collaborating with like-minded artists working in various media. Shockley is the Zora Neale Hurston Distinguished Professor of English at Rutgers University.

    Kevin Young is an American poet and the former director of the Smithsonian Institution National Museum of African American History and Culture. Author of 11 books and editor of eight others, Young previously served as Director of the Schomburg Center for Research in Black Culture at the New York Public Library. A winner of a Guggenheim Fellowship as well as a finalist for the National Book Award for his 2003 collection Jelly Roll: A Blues, Young was Atticus Haygood Professor of English and Creative Writing at Emory University and curator of Emory's Raymond Danowski Poetry Library. In March 2017, Young was named poetry editor of The New Yorker.

    The Black Poetry Day Collection was donated to Bard in 2023 by retired Director of the Plattsburgh Public Library Stanley Ransom and his wife, Christina Palhof Ransom (Bard alum ‘73). The collection includes autographed copies of books by each of the poets honored at Black Poetry Day at SUNY Plattsburgh from 1970 to the present.

    Contact: Megan Brien
    E-mail: [email protected]

  • 4/16
    Thursday
    7:30 pm – 9:00 pm EDT/GMT-4
    Richard Gordon&nbsp;Jazz Series Featuring:&nbsp;

    Richard Gordon Jazz Series Featuring:
     

    Sara Serpa, voice featuring André Matos, guitar & Larry Grenadier, bass

    Thursday, April 16, 2026
    7:30 pm – 9:00 pm EDT/GMT-4
    Bitó Conservatory Building, Performance Space
    Free and open to the public

    Live stream on Music Program You Tube channel here.  
     

    Contact: Angelica Sanchez
    E-mail: [email protected]

  • 4/17
    Friday
    Visit https://fishercenter.bard.edu/series/the-antipodes/

    The Antipodes
     

    Bard College Theater & Performance Program Presents

    Richard B. Fisher Center for the Performing Arts at Bard College

    Friday, April 17, 2026 – Sunday, April 19, 2026
    LUMA THEATER
    Written by Annie Baker, directed by Jonathan Rosenberg. At the LUMA Theater.

    Showtimes: 
    April 17th - 7:30pm
    April 18th - 2:00pm and 7:30pm
    April 19th - 4:00pm

    Website: Reserve Tickets
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