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Ian Buruma’s New Book <em>Stay Alive</em> Reviewed in the <em>Forward</em>

Ian Buruma’s New Book Stay Alive Reviewed in the Forward

Julia M. Klein writes that Buruma’s work is “at once panoramic and intimate, dispassionate and deeply moving.”

Ian Buruma’s New Book Stay Alive Reviewed in the Forward

Ian Buruma’s New Book <em>Stay Alive</em> Reviewed in the <em>Forward</em>
Ian Buruma. Photo by Pete Mauney ’93 MFA ’00
Paul W. Williams Professor of Human Rights and Journalism Ian Buruma’s new book Stay Alive: Berlin, 1939-1945 was reviewed in the Forward. Named after a greeting Berliners used during Allied bombing, it follows how individual Germans’ lives changed at the end of World War II. Stay Alive was inspired in part by Buruma’s father, a forced laborer whose letters to his parents are included in the book. It “traces the disintegration of the city, from a thriving cultural redoubt to a battered hellscape, and the responses of its resilient but ultimately despairing residents,” Julia M. Klein writes, emphasizing that Buruma’s work is “at once panoramic and intimate, dispassionate and deeply moving.”

The Human Rights Program at Bard is a transdisciplinary program involving such diverse fields as literature, political studies, history, anthropology, economics, film and media, and art history. It emphasizes integrative historical and conceptual investigations, and offers a rigorous background that can inform meaningful practical engagements. The program seeks to orient students in the intellectual tradition of human rights and provide them the resources with which to appreciate and criticize its contemporary status.
Read the Review

Post Date: 03-24-2026
a man in jeans and a black sweater with button down white shirt sits on a tall set of stairs

Bard College and PEN America Announce the Launch of the Central America Independent Media Archive

CAIMA was built in partnership with the Russian Independent Media Archive (RIMA) team, and is the latest project under the umbrella of Kronika.

Bard College and PEN America Announce the Launch of the Central America Independent Media Archive

a man in jeans and a black sweater with button down white shirt sits on a tall set of stairs
Ramón Zamora. Photo by Bernardo Díaz 
Bard College, together with PEN America, is pleased to announce the launch of Central America Independent Media Archive (CAIMA), an initiative to safeguard and preserve independent journalism in Central America through a digital archive accessible to the public. CAIMA was built in partnership with the Russian Independent Media Archive (RIMA) team, and is the latest project under the umbrella of  Kronika, a joint civic tech project of Bard College and PEN America which builds tools to protect endangered media against state censorship. Both media archives aim to provide journalists, researchers, and historians with secure access to uncensored primary sources from media silenced by authoritarian regimes.

Founded in response to the escalating criminalization and persecution of journalism in Central America, CAIMA’s mission is to empower journalists, researchers, and civil society actors to deepen investigative work across the region. The collection currently preserves archival publications from 12 media outlets, including the complete editorial history of elPeriódico, a Guatemalan publication internationally recognized for its decades of investigative reporting on corruption and abuse of power.

In 2022, elPeriódico’s founder and director, José Rubén Zamora, was arbitrarily detained after the newspaper published 144 consecutive weeks of investigative reporting on corruption during the administration of former Guatemalan president Alejandro Giammattei. Following his arrest, the newsroom faced political, legal, and financial pressure, forcing nine journalists into exile. In May 2023, the publication was forced to shut down, cutting off public access to decades of investigative journalism. To protect their father’s legacy and the work of the newsroom, Zamora’s sons, Ramón and José Carlos, secured a complete digital copy of elPeriódico’s archive, an effort that laid the groundwork for CAIMA.

“Our goal is to preserve the first draft of Central America’s history and ensure that the work of courageous journalists is never erased,” said CAIMA coordinator Ramón Zamora. “CAIMA is both a shield against censorship and a tool for journalists and researchers committed to exposing corruption and understanding how power operates across borders.”

The archive is designed to grow by continuously incorporating collections from other independent media organizations across Central America that face censorship, shutdowns, or forced exile. In a region where authoritarian practices increasingly restrict access to information, CAIMA strengthens journalism’s ability to hold power accountable and supports deeper, evidence-based regional analysis. To access CAIMA, please visit elarchivo.media/en


Post Date: 03-23-2026
a woman looks out from a surrounding black backdrop

Bard Alumna Sonita Alizadeh ’23 Profiled in Forbes

“Today, Sonita’s message is simple but profound: never underestimate the power of your voice.”

Bard Alumna Sonita Alizadeh ’23 Profiled in Forbes

a woman looks out from a surrounding black backdrop
Sonita Alizadeh ’23, Bard College alumna and human rights activist. 
Bard alumna Sonita Alizadeh ’23, a Rhodes Scholar and human rights activist, was profiled in Forbes magazine. Born under Taliban rule, Alizadeh faced the threat of child marriage at the ages of 10 and 16 before finding her voice through music. She has since performed on global stages and collaborated with artists and organizations that share her mission, and she has also addressed world leaders and worked with NGOs such as the UN, Human Rights Watch, and Amnesty International to push for change. “Today, Sonita’s message is simple but profound: never underestimate the power of your voice,” writes Mandeep Rai for Forbes. “Dreams, she insists, are the ultimate weapon. Her journey is more than a story—it is a committed call to action, urging women to support one another and the world to take responsibility for girls in Iran, Afghanistan, and beyond.”
 
Read the Full Profile in Forbes

Post Date: 03-17-2026
M. Gessen Spoke with WMCU’s <em>Here and Now</em> About Kronika, Joint Civic Tech Project of Bard College and PEN America

M. Gessen Spoke with WMCU’s Here and Now About Kronika, Joint Civic Tech Project of Bard College and PEN America

Gessen outlined how Kronika has gone from being an archive to a set of tools in response to worldwide threats to free speech.

M. Gessen Spoke with WMCU’s Here and Now About Kronika, Joint Civic Tech Project of Bard College and PEN America

M. Gessen Spoke with WMCU’s <em>Here and Now</em> About Kronika, Joint Civic Tech Project of Bard College and PEN America
M. Gessen.
“At this point, it might be easier to answer the question, ‘Where isn’t history being erased?’” said M. Gessen, distinguished visiting writer at Bard College. In an interview with WMCU’s Here and Now, Gessen outlined how Kronika, a joint civic tech project of Bard College and PEN America, has gone from being an archive to a set of tools in response to worldwide threats to free speech. “We had to turn Kronika into a toolkit,” Gessen said. “At this point, we no longer think of it as an archive. We think of it as a set of instruments that people can use to preserve media in any language.” Born out of the Russian Independent Media Archive, Kronika has positioned itself as a worldwide utility with the goal of helping to preserve the work of journalists and writers. In the interview, Gessen pushed back on the idea that the internet is forever, saying that, ultimately, keeping something online costs money, especially in the face of government censorship. “We learn a lot about a regime when we see what information it wants deleted,” they said.
Listen to the full interview on WMCU

Post Date: 02-16-2026
Upcoming Events
  • 4/20
    Monday
    11:00 am – 5:00 pm EDT/GMT-4
    CCS Bard ’26: April 4- May 24.; Everything That Happens Will Happen Today: 2026 Graduate Student Curated Exhibitions

    Everything That Happens Will Happen Today: 2026 Graduate Student Curated Exhibitions

    Saturday, April 4, 2026 – Sunday, May 24, 2026
    11:00 am – 5:00 pm EDT/GMT-4
    Hessel Museum of Art, CCS Bard

    Everything That Happens Will Happen Today collects curatorial projects organized by the Class of 2026 at the Center for Curatorial Studies, Bard College, in fulfillment of their MA in Curatorial Studies. From solo exhibitions that revisit and reinvigorate historical legacies to group shows that foreground contemporary practices, the projects span diverse disciplines, time periods, and materials.

    More exhibition information here. Not open Monday or Tuesday.

    Contact: CCS Bard
    Phone: 845-758-7598
    E-mail: [email protected]


    Go to Event Page
  • 4/20
    Monday
    11:30 am EDT/GMT-4
    Visit https://bard.zoom.us/webinar/register/WN_RW9j7RU0S5m0cT4SgYyrRw#/registration

    The Role of Production Networks in Price Stability | Samuel Stockman

    Monday, April 20, 2026
    11:30 am EDT/GMT-4
    Blithewood

    The pandemic inflation, the war in Ukraine, and now a potential energy crisis from the war in Iran, have all sparked interest in the relationship between inflation and sector-specific price shocks. Stockman argues that price stability can be best achieved by building structural resilience in production networks through policies that implement strategic commodity buffer stocks and facilitate the transition away from fossil fuels.

    Contact: Katy Garfield
    E-mail: [email protected]

    Website: REGISTER

    Go to Event Page
  • 4/20
    Monday
    12:30 pm – 1:30 pm EDT/GMT-4

    Rome's Jewish Queen: the Story of Berenice

    Bruce Chilton, Bernard Iddings Bell Professor of Philosophy and Religion; Director, Institute of Advanced Theology

    Monday, April 20, 2026
    12:30 pm – 1:30 pm EDT/GMT-4
    Bard Hall
    Berenice (born circa 28) was the most notorious Jewish woman in the Roman Empire of her time. Multiple marriages, rumors of incestuous relations with her brother (Agrippa II of the Herodian dynasty), and her scandalous liaison with Titus, the Roman general and emperor‑to‑be, guaranteed Berenice’s celebrity. This reputation does not, however, paint a complete portrait of Berenice, nor does it capture her significance. Her political acumen was as effective as it would become legendary. The great‑granddaughter of Herod the Great and the daughter of King Agrippa I, she promoted the family’s unusual version of Judaism as well as its outsized ambitions. Berenice was a pivotal figure in Agrippa II’s advance in imperial preferment; played a crucial role during the Jewish‑Roman war; and, as consort to Titus, supported his father, Vespasian, in his accession to the role of emperor.

    Join us every other Monday starting Feb. 23rd. 
    • Monday, February 23rd
    • Monday, March 9th
    • Monday, March 23rd
    • Monday, April 6th
    • Monday, April 20th
    • Monday, May 4th

    Contact: Melissa Germano
    Phone: 845-758-7667
    E-mail: [email protected]


    Go to Event Page
  • 4/20
    Monday
    7:00 pm – 8:30 pm EDT/GMT-4
    Bard College Orchestra spring concert

    Bard College Orchestra spring concert

    Monday, April 20, 2026
    7:00 pm – 8:30 pm EDT/GMT-4
    Fisher Center, Sosnoff Stage

    Program:

    Mikhail Glinka (1804–57)
    Ruslan and Lyudmila: Overture (1837-42)
    Junting Yi, assistant conductor


    Piotr Ilyich Tchaikovsky (1840–93)
    Sérénade Mélancolique, op.26 (1875)
    Sasha Vesensky, violin soloist
    Reid Shriver, assistant conductor


    Edward Elgar (1857–1934)
    Cello Concerto, op.85, E minor (1919)
    IV. Allegro; Moderato; Allegro, ma non troppo
    Eugenia Krim, cello soloist
    Erica Kiesewetter, associate conductor


    Jean Sibelius (1865–1957)
    Symphony No.1, op.39, E minor (1899; rev 1900)
    Zachary Schwartzman, music director

     

     

     

    Contact: Petra Elek
    E-mail: [email protected]

  • 4/20
    Monday
    7:00 pm – 8:00 pm EDT/GMT-4

    Bard College Community Orchestra

    Monday, April 20, 2026
    7:00 pm – 8:00 pm EDT/GMT-4
    Fisher Center, Sosnoff Theater

    Please join the Bard College Community Orchestra for their Spring Concert featuring Sibelius’ First Symphony, Glinka’s Ruslan and Ludmilla, and the winners of our concerto competition. Admission is free, and all are welcome to attend!

    The Bard College Community Orchestra is a diverse group of players, including Bard College students, faculty and staff, local high school players, and community members of level 5 NYSSMA standard and higher. The orchestra is a full symphony orchestra and plays a variety of repertoire.


    Phone: 845-758-7900
    E-mail: [email protected]

    Website: https://fishercenter.bard.edu/events/bcco-2026/

    Go to Event Page
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Annandale-on-Hudson, New York 12504-5000
Phone: 845-758-6822
Admission Email: [email protected]
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