2025
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Tuesday, February 25, 2025 |
Carlos Motta Named 2025-26 Keith Haring Chair in Art and Activism
The Center for Curatorial Studies (CCS Bard) and Bard College’s Human Rights Project are pleased to announce that multidisciplinary artist and professor Carlos Motta will hold the Keith Haring Chair in Art and Activism for 2025-26. Established in 2014, the initiative supports an annual faculty position bringing leading scholars, activists, and artists to teach and conduct research within the CCS Bard graduate program and the undergraduate Human Rights Program.
Carlos Motta Named 2025-26 Keith Haring Chair in Art and Activism
Born in Colombia and based in New York, Motta’s art practice documents the social conditions and political struggles of sexual, gender, and ethnic minority communities. A chronicler of untold narratives, he explores the experiences of post-colonial subjects and societies through a range of media, including video, installation, sculpture, drawing, web-based projects, performance, and symposia.
“Carlos Motta’s decades-long practice foregrounds art as a site of resistance and repair, expanding Keith Haring’s legacy of social engagement into the urgencies of the present. Through projects that bring together queer, trans, and decolonial perspectives across the Americas, Motta has consistently challenged the boundaries between artistic practice, research, and activism,” said Mariano López Seoane, Director of the Graduate Program and ISLAA Fellow in Latin American Art at the Center for Curatorial Studies, Bard College. “His work invites critical reflection on visibility, power, and collective memory—values that deeply resonate with CCS Bard’s mission and the spirit of the Keith Haring Chair initiative."
“We are proud to have an artist and activist of Carlos Motta’s stature and commitments teaching with us this coming year,” said Thomas Keenan, Director of Bard’s Human Rights Project. “His focus on the rights and claims of under-represented communities, and his insistence on making their voices heard, is more important – and more creative – now than ever.”
The announcement of the 2025-26 Keith Haring Chair in Art and Activism follows CCS Bard’s recent opening of a new 12,000-square-foot addition to its library and archives—the Keith Haring Wing, named in recognition of a lead $3 million gift from the Keith Haring Foundation. The expansion further builds on a longstanding partnership between CCS Bard and the Foundation, which also endowed the Keith Haring Chair in Art and Activism in 2022. More information on the new Keith Haring Wing is available at the link.
About Carlos Motta
Carlos Motta (b. 1978) is a multidisciplinary artist whose work explores sexuality, gender, and power through historical research and collaborative practice. In 2024, Motta presented Gravidade (Gravity) at Galeria Vermelho, São Paulo, and participated in Disobedience Archive, a project by Marco Scotini at La Biennale di Venezia, curated by Adriano Pedrosa. His mid-career survey Carlos Motta: Pleas of Resistance was presented at the Museu d’Art Contemporani de Barcelona (MACBA) in 2025 and will travel to OK Center for Contemporary Art, Linz in 2026.
Past solo exhibitions include career surveys at the Museo de Arte Moderno de Bogotá (MAMBO) (2023); The Wexner Center for the Arts, Columbus (2022); Museo de Arte Moderno de Medellín (MAMM) (2017); and Röda Sten Konsthall, Gothenburg (2015). His work has been featured in major international exhibitions, including Scientia Sexualis, Pacific Standard Time (PST), Institute of Contemporary Art (ICA), Los Angeles (2024); Signals: How Video Transformed the World, Museum of Modern Art (MoMA) (2023); Is it morning for you yet?, 58th Carnegie International (2022); ); The Crack Begins Within, 11th Berlin Biennale for Contemporary Art (2020); Home is a Foreign Place, Metropolitan Museum of Art, New York (2019); Incerteza Viva, 32nd Bienal de São Paulo (2016); and Le spectacle du quotidien, X Lyon Biennale (2010), among others.
Motta has been recognized with numerous prizes and awards, including the Artist Impact Initiative x Creative Time R&D Fellowship (2023); grants from the Penn Mellon Just Futures Initiative (2023), the Rockefeller Brothers Fund (2019); and a Guggenheim Fellowship (2008). His work is held in the permanent collections of The Metropolitan Museum of Art, The Museum of Modern Art, and Guggenheim Museum, New York; San Francisco Museum of Modern Art; Museo Nacional Centro de Arte Reina Sofía, Madrid; Centre Pompidou, Paris; Museo de Arte del Banco de la República, Bogotá; among others.
Motta is Associate Professor of Interdisciplinary Practice in the Fine Arts Department at Pratt Institute.
Post Date: 11-12-2025
Kenneth Stern ’75, Director of the Bard Center for the Study of Hate, Spoke About Anti-Semitism, Free Speech, and American Universities on College Matters
In a conversation with Jack Stripling on College Matters, a podcast produced by the Chronicle of Higher Education, Director of the Bard Center for the Study of Hate Kenneth Stern ’75 discussed what he saw as the “weaponization of the definition” of anti-Semitism that he helped to create. “I’m not ever saying don't combat speech or contest speech that you don’t like,” Stern said, “but I’m saying don’t use instruments of the state to suppress what teachers can teach and what students can hear.”Kenneth Stern ’75, Director of the Bard Center for the Study of Hate, Spoke About Anti-Semitism, Free Speech, and American Universities on College Matters
The Bard Center for the Study of Hate (BCSH) works to increase the serious study of human hatred, and ways to combat it. The Center supports faculty and students throughout the Bard network who want to study and/or combat hatred and its various manifestations. BCSH brings scholars from diverse disciplines to Bard College and all of its campuses to speak about the human capacity to hate and demonize others. The Bard Center for the Study of Hate was established in 2018 with a generous endowment from the Justus & Karin Rosenberg Foundation and is a program of Bard’s Human Rights Project.
Post Date: 10-28-2025
Professor Helen Epstein’s Book Why Live Reviewed in the Wall Street Journal
A new book by Helen Epstein, visiting professor of human rights and global public health at Bard College, has been reviewed in the Wall Street Journal. The book, Why Live: How Suicide Becomes an Epidemic, delves into the reasons why people consider suicide, and “highlights a number of case studies that imply a connection between high rates of suicide and rapid societal changes that disrupt old ways of life,” the Wall Street Journal writes.Professor Helen Epstein’s Book Why Live Reviewed in the Wall Street Journal
The Human Rights Program at Bard is a transdisciplinary program involving such diverse fields as literature, political studies, history, anthropology, economics, film and media, and art history. It emphasizes integrative historical and conceptual investigations, and offers a rigorous background that can inform meaningful practical engagements. The program seeks to orient students in the intellectual tradition of human rights and provide them the resources with which to appreciate and criticize its contemporary status.
Post Date: 09-30-2025
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